“Geirþrúður Anna’s tone was rich and lush ... Her superb performance of the introductory Adagio was highly nuanced. The same can be said of the Allegro, and Geirþrúður Anna’s playing showed beyond doubt that the cello, which perhaps resembles the human voice more closely than any other instrument, offers an endless palette of colors.

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... the interpretation was extraordinarily musical, and Geirþrúður Anna’s tone production was marvelous, both in highly sensitive entrances and in more fiery and intense sections."